Gillygaloo, The Fabled Critter....

In days gone by, Paul Bunyan, the legendary giant lumberjack, and his mighty big blue ox, Babe, roamed the great forests that once covered much of America. As they traveled from coast to coast, Paul Bunyan and Babe encountered some pretty strange creatures living in the woods, such as the Roperite, who had a lasso-like snout with which it snared rabbits, and the backwards-flying Goofus bird.

Rarer still was the Gillygaloo, a rather peculiar bird that laid her eggs square to prevent them from rolling down the steep mountain slope where she nested. The Gillygaloo was also noted for her very colorful plumage and fine singing voice. As Paul Bunyan and his fellow lumberjacks toiled in the forest, far from their families and friends, Gillygaloo would entertain them with sweet songs as they set about their lonely, back-breaking work....

Presenting--

Gillygaloo, The Band....


Photo by W. Weinstein

GILLYGALOO is a Brooklyn-based acoustic folk ensemble with one goal: to "edu-tain" kids of all ages and abilities with grownup-friendly roots music that really rocks the house!

Our repertoire is a rich musical gumbo, made up of fun songs and dance tunes, drawn primarily from many different ethnic and regional folk traditions. It runs the gamut from African American ring dances and Hawaiian mele to old-time country classics and early blues favorites; from Jewish klezmer and  Norteno/Tejano (Texas-Mexican) dance music to rollicking fiddle tunes from Upstate New York, Appalachia, French Canada, the British Isles, Scandinavia and the Tohono O'odham (formerly known as the Papago Indians) of Southern Arizona.

Spicing up this flavorful mix are our own roots-inspired original songs and instrumental compositions, which reflect a wide array of influences:  Caribbean calypso Jamaican mento, Louisiana Cajun/ ZydecoNew England contra dance tunes, and jazz and swing from the 1920s and '30s, to name but a few.

Gillygaloo serves it all up, hot and tasty, on a variety of acoustic instruments: fiddle, mandolin, guitar, banjo, button accordion, concertina, ukulele, dulcimer, cuatro, double bass, dumbec drum and more!

We strive to make our performances fun and accessible for the whole family through interaction and age-appropriate movement activities, which may range from finger plays to participatory dancing. In the spirit of an old-time house party or a neighborhood dance, upbeat, rhythmic melodies are featured that get toes tapping and hands clapping. Our programs often include simple folk dances and "play party" singing and dancing games from various traditions, which are taught on the spot.

Of course, you're always invited to get up and "shake it down anyway you please" to our music!

To hear some of our music, please visit: www.myspace.com/gillygaloo


CONCERTS, FESTIVALS & SPECIAL EVENTS

Gillygaloo is available for programs in schools, parks, museums and camps, as well as other public venues such as festivals and street fairs. We can tailor our show to help convey the specific theme of your overall event. Please contact us to discuss program options and bookings.

FAMILY DANCE PARTIES

Looking for something unique for your next special event? Why not consider having a Family Dance Party? Gillygaloo offers a very broad repertoire of dance music from many different traditions and a wide range of fun participatory social dances for all levels that we teach on the spot. Please contact us for more information.

WEDDINGS, SOCIAL FUNCTIONS & PROGRAMS FOR "GROWNUPS"

The members of Gillygaloo are all veteran professional musicians who have a great of deal experience performing for every type of function from weddings to corporate holiday parties. Our distinctive acoustic sound and very eclectic repertoire may be just the thing for your next special occasion.

A recent example of the type of programming we offer for "grownup" functions is an event we did at the Whitney Museum of American Art (NYC). As part of the 2005 annual dinner for the museum's docents (volunteer gallery guides), we played ambient background music as they dined and then got 'em up on the dance floor for New England-style contra dancing as well as couple dancing such as waltzes and swing dances. Kathryn Potts, the Whitney's Head of Exhibition Interpretation, wrote: "I wanted to thank you... for a wonderful evening. I thought the music was wonderful. It really helped to make the evening special. I heard incredible feedback from the docents about the event. They thoroughly enjoyed themselves. My only problem now is that you have raised the bar so high that I don’t know how I am going to match it next year!!"

Please contact us to discuss ideas as to how we can help make your next function a memorable one.


A LITTLE GILLY HISTORY....

Our story begins at the dawn of the New Millennium, when Suzi Shelton and Shlomo Pestcoe-- local favorites of the Big Apple's children's music scene-- got together with renowned master musicians Michael Gorin and Bob Jones. We were looking to offer "kids 'n' family" audiences fresh, new "edu-taining" performances of the various traditional songs and dance tunes we love-- as well as our own roots-inspired originals-- in a unique, creative approach that combines interactive fun with quality musicianship and performance artistry. The result was Gillygaloo.

Six years prior to that, Suzi and Shlomo had met while they were staff artist/educators at The Children's Museum of the Arts. At the time, Suzi was a young dancer, fresh from Ohio, looking to break into the Big Apple's modern dance scene. Shlomo was CMA's musician-in-residence, better known as The Music Man, a popular "role" he had created four years earlier at The Children's Museum of Manhattan to present his unique "living arts" program of interactive music activities for kids. At CMA, they joined with fellow staff artist/educators Albert Elias and Lou Gallo to create the institution's first resident performance arts troupe, Museum in a Trunk, which not only performed in the Museum but also traveled throughout the City doing shows in public parks and institutions. In 1996, the group went independent and became The Imagination Workshop Band. Over the next seven years, the IWB garnered local fame as the leading ensemble in NYC's burgeoning children's and family music scene. Their two albums, Subway Train (1997) and It's a Kid's Life (2000), became hits and are today "classics" in the ever-growing field of children's music recordings.

Meanwhile, for quite some time, Shlomo had been performing a variety of traditional folk dance music forms, in various combinations, with his long-time friends and "comrades-in-music," Michael and Bob. From 1981 on, Michael and Shlomo have entertained folks with their traditional fiddle and button accordion tunes at museums, historic sites, and other cultural institutions and venues throughout the NYC metropolitan area and across the Hudson River in New Jersey. In the early '90s, they were the "official" maritime music duo for The South Street Seaport Museum's Development Department. As such, Michael and Shlomo performed weekly on the deck of the schooner Pioneer, as she sailed up and down the East River for special membership and charter tours. Likewise, they were tapped to play for exhibition openings and other special events at the Museum. The mid '90s saw Shlomo and Bob getting together to perform old-time country, early blues, Jewish klezmer and other "trad" music styles. At the same time, Bob often played with Michael at contra dances, weddings and other events. On occasion, all three would share a stage together with other friends.

Fast forward to the Winter of 2000: Shlomo introduces Suzi to Michael and Bob. The four of us sit down to jam. Halfway through the first song we play together, there are smiles all around. And the rest, as they say, is history....

Three years later, we released our critically-acclaimed debut album Little Green Thing. Since then, it has received rave reviews from kids (and their grownups) across the country... and across the ocean-- such as in Denmark, Sweden, Ireland, Spain and Taiwan!

 

THE TIMES THEY ARE A' CHANGING....

The start of 2006 saw the end of an era for our band and the beginning of a new one. A couple of years earlier, Suzi had embarked on a promising solo career, writing and performing wonderful original songs geared towards younger kids, the "Below 6" crowd. With the release of her hit debut album, Simply Suzi, in the Fall of 2005 and the formation of her own band, it became clear that she needed to focus all of her energies in that direction. Sadly, Suzi was forced to resign as an active member of Gillygaloo. Our 3rd annual benefit concert for The Claremont Children's School on February 5th, 2006 marked her last official performance with the band. There Suzi "passed the torch" to our new lead singer, Mamie Minch, as she joined us on stage for the first time to the great acclaim of our kid and grownup fans.

MEET THE BAND

SHLOMO PESTCOE (button accordions, English concertina, mandolin, lead guitar, 5-string banjo, fiddle, tenor banjo, ukulele, Appalachian dulcimer, Puerto Rican cuatro and more) has been delighting kids in and around the Big Apple with his "edu-taining" performances and hands-on musical activities since 1990. He was the first musician-in-residence at the Children's Museum of Manhattan (NYC) and the Children's Museum of the Arts (SoHo, NYC), and a principal consultant in the renovation of the Brooklyn Children's Museum's permanent music exhibit. A master of many instruments and regional/ethnic traditional music styles, Shlomo is the fiddler/leader of The Sufferin' Succotash String Band, a renowned local group that performs old-time country, early blues and Louisiana Cajun/Black Creole music from the 1920s and '30s. He currently teaches guitar, mandolin, banjo and other instruments as a staff teacher of  the Musician's General Store (Cobble Hill, Brooklyn) and curates The Musical Eye , the Musurgia collection of historic photographs. Formerly the lead instrumentalist for the Imagination Workshop Band, Shlomo also wrote many of the IWB's songs, including the popular title cut of their first album, Subway Train. His knack for writing fun, witty kids' songs is showcased on Little Green Thing (the title number being another "Shlomo" original).

 

MICHAEL GORIN (fiddle, baritone ukulele) is a prize-winning fiddler and a much sought-after dance musician who performs at community dances, festivals and social functions throughout the tri-state area and beyond. He is a founding member of both Grand Picnic, NYC's foremost contra dance band, and the quirky Termite's Delight, a relative newcomer to the contra dance circuit. Michael is also the long-time fiddler for Half Moon Sword, the Big Apple's premier purveyor of Northern English rapper and long sword dance and host of the annual New York Sword Dance Festival. In real life he is the devoted father of two remarkable children, whose talents on the piano and trombone already delight and worry him.

 

 

MAMIE MINCH (guitar, baritone ukulele, 5-string banjo) is our newest member, joining the band in February 2006 to replace founding member Suzi Shelton as Gillygaloo's lead singer. Originally from Delaware, she has been performing folk and country blues since she was a teenager. Mamie started playing solo sets in small venues and coffeehouses around Philadelphia, and eventually found herself playing blues festivals and concerts across the country. She now lives in Brooklyn, NY and loves performing for audiences of all ages. In recent years, Mamie has been a visiting artist/educator working with students, ages 5-10,  in schools throughout the Big Apple. Her unique educational programs include singing clubs and formal American History Through Song courses, which allow her to pass on her enthusiasm for folk music (and foot stomping). Mamie also performs solo, and brings her wicked guitar stylings to an all-girl early blues outfit, The Roulette Sisters, one of New York City's hottest up 'n' coming acoustic bands. She's excited to be playing with Gillygaloo!
 

 

BOB JONES (guitar, double bass, 5-string banjo) is a "Musician's Musician" who has been a fixture of New York City's bluegrass and folk music scenes since the early '70s. The immense scope of his impressive credentials range from being the first guitarist/ accompanist for master klezmer clarinetist/mandolinist Andy Statman to performing sacred songs from the black and white traditions with The Singing Conquerors, an interracial bluegrass/gospel string band. Bob is in great demand as guitarist/bassist and is currently an active member of eight different local groups, including The Sufferin' Succotash String Band, Jay Bird and The Pluck Brothers. In addition to being a master musician, he's also a very fine singer. Bob's life-long passion for singing started when he attended choir school as a young boy and sang in the choir of his father's church. For his day gig, Bob heals and restores fretted string instruments. Highly regarded and respected by musicians and instrument technicians alike, he has come to be known as "Dr. Frets." Bob's real pride and joy is his daughter who is a promising young poet, writer and singer.

 

SUZI SHELTON (dumbec drum, guitar, tin whistle), Gillygaloo's charismatic lead singer emeritus, has been teaching, performing and recording old and new favorites for young children since 1995. In addition to being a gifted vocalist and musician, Suzi has a background in modern and other forms of dance. She has been the resident music teacher at Beginnings Preschool (Gramercy Park, NYC) and taught preschool music and movement classes at The 14th Street Y (the Sol Goldman YM-YWHA of the Educational Alliance, East Village, NYC). Suzi began her recording career in 1997 with the Imagination Workshop Band (a leading ensemble in NYC's children's and family music scene, 1996-2003) and takes center stage on the IWB's two critically-acclaimed albums, Subway Train (1997) and It's a Kid's Life (2000). In the Fall of 2005, Suzi released her debut solo album geared towards the "Below 6" crowd, Simply Suzi, and has since embarked on a very promising solo career. When she's not teaching, performing or recording, Suzi is kept on her toes trying to keep up with her young son, who loves to help his mom write songs, and baby daughter.

 

 
Photos by Sarah Henry & W. Weinstein
 
 

SELECTED PAST APPEARANCES

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